HOW TO EAT AN ORANGE

by Catherine Filloux

A one-woman play about the visual artist and activist Claudia Bernardi, her childhood in Argentina under the military junta, and her subsequent work digging up the past. Histories are woven together in a kaleidoscopic play that depicts how both families and justice may be reconfigured.

  • Cast Size: 1W 
  • Running Time: 90+ minutes
  • Royalty Rate: $75 per performance

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About the Artists

CATHERINE FILLOUX is an award-winning French Algerian American playwright and librettist, who has been writing about human rights for decades. Her plays and operas have been produced nationally and internationally. In New York City, Filloux’s new musical “Welcome to the Big Dipper” (composer Jimmy Roberts) premiered Off-Broadway at the York Theatre, and her play “How to Eat an Orange” premiered at La MaMa Downstairs Theatre. Catherine’s new play “White Savior” was nominated for The Venturous Play List. Filloux’s other recent plays include: “turning your body into a compass” her livestream web drama at CultureHub, NYC; “whatdoesfreemean?” at Nora’s Playhouse, NYC; “Kidnap Road”, La MaMa, NYC; “Selma ‘65”, NYC and U.S. tour; “Luz”, La MaMa and Looking for Lilith in Louisville, KY. Catherine is the librettist for four produced operas: “Orlando” (composer Olga Neuwirth) is the first opera at the Vienna State Opera by a woman composer-librettist team (2022 Grawemeyer Award); “Where Elephants Weep” (Chenla Theatre, Cambodia, composer Him Sophy) broadcast on Cambodian national TV and Broadway on Demand. Filloux has traveled for her plays to conflict areas including Bosnia, Cambodia, Guatemala, Haiti, Iraq, Morocco; and to Sudan and South Sudan on an overseas reading tour with the University of Iowa’s International Writing Program. Catherine received her French Baccalaureate in Philosophy with Honors in Toulon, France. She has spoken for media and organizations around the world. www.catherinefilloux.com

Claudia Bernardi is an Argentine artist who works in the fields of visual art, human rights and social justice, combining installation, sculpture, painting and printmaking. She has worked with communities that have suffered state terror, violence, forced exiles and who are victims of human rights violations. 

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